Your rehearsals should include lots of starts and stops so that you can make sure: • You’re being true to your OVERALL OBJECTIVE. • You’re going after your SCENE OBJECTIVE. • There are OBSTACLES getting in your way. • The SUBSTITUTION is the most compelling choice. • The INNER OBJECTS are emotionally loaded. • The BEATS and ACTIONS are the most effective. • You’re using a MOMENT BEFORE that creates a pinnacle of urgency. • You’re using a PLACE/FOURTH WALL that is full and informed. • You’re utilizing DOINGS that are appropriate and helpful to promoting the reality and SCENE OBJECTIVE. • You’re
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