Aleksandra Bekreneva

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As William (anti-death) Gass observes in Habitations of the Word, critics can try to erase or over-define the author into anonymity for all sorts of technical, political, and philosophical reasons, and “this ‘anonymity’ may mean many things, but one thing which it cannot mean is that no one did it.” 1992
A Supposedly Fun Thing I'll Never Do Again
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