There was one and one alone on the one hand and a transparent fake on the other. This side of madness and the madhouse, doubles, I thought, figure mainly in books, as fully materialized duplicates incarnating the hidden depravity of the respectable original, as personalities or inclinations that refuse to be buried alive and that infiltrate civilized society to reveal a nineteenth-century gentleman’s iniquitous secret. I knew all about these fictions about the fictions of the self-divided, having decoded them as cleverly as the next clever boy some four decades earlier in college. But this was
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