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He then turned to Freudian analysis and two-dimensional phrenology to buttress his case. “My knowledge of psychology and photography of people make it possible for me to read character from a photograph,” he wrote. And the author picture on Lucifer’s jacket (actually, a rather friendly and innocuous image) convinced him Burns was “an egotist, satisfied with himself and whatever he does regardless of the offense or results.”
Dreadful: The Short Life and Gay Times of John Horne Burns
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