So I speak to you—or not speak, write to you, write written speech—a strange mixture of kinds—I speak to you as I might speak to all those who most possess my thoughts—to Shakespeare, to Thomas Browne, to John Donne, to John Keats—and find myself unpardonably lending you, who are alive, my voice, as I habitually lend it to those dead men—Which is much as to say—here is an author of Monologues—trying clumsily to construct a Dialogue—and encroaching on both halves of it.
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