The Virgin Suicides

by Jeffrey Eugenides

We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn’t fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.

We realized that the version of the world they rendered for us was not the world they really believed in, and that for all their caretaking and bitching about crabgrass they didn’t give a damn about lawns.

the love he felt at that moment, truer than all subsequent loves because it never had to survive real life, still plagued him,

But in my experience, there are really only two kinds of children: the empty-headed ones (Fauvist flowers, dogs, and sailboats) and the intelligent ones (gouaches of urban decay, gloomy abstractions)—much like my own painting in college, and during those three heady years in ‘the Village.’ Could I foresee she would commit suicide? I regret to say, no. At least ten percent of my students were born with modernist tendencies. I ask you: is dullness a gift? intelligence a curse? I’m forty-seven years old and live alone.”