Ironies abound, of course, as ironies must when cash and art do lunch. Tearing down the prop-thin symbolic walls, Run-DMC aim to celebrate desegregation, but miss the fact that Aerosmith, those whitest of white rockers, are merely big-budget Led Zeppelin rip-offs, and that Led Zep came straight outta the jet-black Rhythm & Blues of Chicago’s Chess Records.
