Daniel Grenier

21%
Flag icon
A crucial difference between the two writers, of course, is the historical contingency that put Wolfe’s NYU colleague in a radically less authoritative position with respect to the American reading public than Wolfe, who could entertain the possibility of “speaking for everyone,” absorbing the national body into his own Bardic self like a Whitman from hell.
The Program Era: Postwar Fiction and the Rise of Creative Writing
Rate this book
Clear rating
Open Preview