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the shadows of a dream,
Sophocles, in his last tragedy, says that not to be born at all is the greatest of all possible benefits, but inasmuch as man has appeared on earth, the very best thing he can do is to hurry back where he came from.
"Life seems pleasing only to the fool," he stated; "the wise regard it with indifference, and consider death just as acceptable."
"Nature's most pleasing invention," he says, "is brevity of life."
"No mortal is happy, for even if there is no other cause for discontent there is at least the f...
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"Here is no home, here is but a wilderness,"
"Nothing's so dainty sweet, as lovely melancholy,"
"Man never is but always to be blessed,"
of De Musset's verse. Pascal, Helvetius,
and were he called upon to fashion a system of happiness for his fellows he would be unable to do so, for happiness is in its essence intangible."
"I am so much overcome," he wrote to a friend, "by the nothingness that surrounds me, that I do not know how I have the strength to answer your letter. If at this moment I lost my reason, I think that my insanity would consist in sitting always with eyes fixed, open-mouthed, without laughing or weeping, or changing place. I have no longer the strength to form a desire, be it even for death."
Italian hearts, however, had other matters to attend to, and Leopardi's magnificent invocation was barely honored with a passing notice. For that matter, his poetry, in spite of its resonant merit, has, through some inexplicable cause, been generally ignored; and while it resembles no other, it has never, so to speak, been in vogue.
I seek now only the true, the real, which before was so repulsive. I take pleasure in analyzing the misery of men
to learn the obscure destinies of the mortal and the eternal, to discover the wherefore of creation, and the reason of man's burden of misery. "I wish," he said, "to dig to the root of nature and seek the aim of the mysterious universe, whose praises the sages sing, and before which I stand aghast."
starting point of each of his arguments is that life is evil; to any objection, and the objections that have been made are countless, Leopardi has one invariable reply, "All that is advanced to the contrary is the result of illusion." "But supposing life to be painless," some one presumably may interject, whereupon Leopardi, with the air of an oracle, too busy with weighty matters to descend to chit-chat on the weather, will answer tersely, "Evil still."
But Mephisto declares, on his word as a gentleman, that such a thing is impossible, because the desire for happiness is insatiable, and no one can be happy so long as it is unsatisfied.
the present time very few books are read at all. Supposing, however, the most favorable case: supposing that a writer, through the suffrage of a few of his contemporaries, is certain of descending to posterity as a great man,—what is a great man? Simply a name, which in a short time will represent nothing.
The opinion of the beautiful changes with the days, and literary reputations are at the mercy of their variations; as to scientific works, they are invariably surpassed or forgotten. Nowadays, any second-rate mathematician knows more than Galileo or Newton." Genius, then, is a sinister gift, and its attendant glory but a vain and empty shadow.
by that sage saying of Voltaire, "L'erreur aussi a son mérite"?
To the Buddhist there is reality neither in the future nor in the past. To him true knowledge consists in the perception of the nothingness of all things, in the consciousness of— "The vastness of the agony of earth, The vainness of its joys, the mockery Of all its best, the anguish of its worst;" and in the desire
In the first, the novitiate learns to be implacable to himself, yet charitable and compassionate to others. He then acquires an understanding into the nature of all things, until he has suppressed every desire save that of attaining Nirvâna, when he passes initiate into the second degree, in which judgment ceases. In the next stage, the vague sentiment of satisfaction, which had been derived from intellectual perfection, is lost, and in the last, the confused consciousness of identity disappears. It is at this point that Nirvâna begins, but only begins and stretches to vertiginous heights
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In brief, then, life to the Christian is a probation, to the Brahmin a burden, to the Buddhist a dream, and to the pessimist a nightmare.
In this trick they excel, and if they can manage to be emphatic and affected at the same time, they are simply afloat in a sea of joy.
He was something of a Mezzofanti; he spoke and read half a dozen languages with perfect ease, and he could in consequence enter any library with the certainty of finding friends and relations therein. For the companionship of others he did not care a rap. He was never so lonely as when associating with other people, and of all things that he disliked the most, and a catalogue of his dislikes would fill a chapter, the so-called entertainment headed the obnoxious list.
Both are condemned to solitude; and for solitude such as theirs there is neither chart nor compass. Of course there are many other men who in modern
To mislead a possible thief he labeled his valuables Arcana Medica, put his banknotes in dictionaries, and his gold pieces in ink bottles. He slept on the ground floor, that he might escape easily in case of fire. If he heard a noise at night he snatched at a pistol, which he kept loaded at his bedside.
mediocrity may, of course, be praised, but, as Balzac has put it, it is never discussed. And Schopenhauer, in the matter of discussion,
quietly, "No man who is religious can become a philosopher,—metaphysics
In Schopenhauer's opinion, the greatest novels were "Tristram Shandy," "Wilhelm Meister," "Don Quixote," and the "Nouvelle Héloïse."
According to Schopenhauer, the world is made up of two zones, the real and the ideal; and it may here be said that over the real and the ideal Schopenhauer successfully read the banns.
the dreamless sleep proves that the earth exists only to the thinking mind, and should all Nature be rocked in an eternal slumber, there could then be no question of an exterior world. If it be asked in what this perception consists, which represents the exterior world, we find that it is limited to three fundamental concepts, that of time, space, and their concomitant causality;
But it does nothing of the sort; time passes over all things without leaving the slightest trace, for they are acted upon only by the causes that unroll themselves in time, but in no sense by time itself.
then, is the interior essence of every manifestation and of every action? What is that which is identical with the body to such an extent that to its command a movement always answers? What is that with which Nature plays, which works dumbly in the rock, slumbers in the plant, and awakes in man? Schopenhauer answers with a word, "Will." Will, he teaches, is a force, and should not be taken, as it is ordinarily, to mean simply the conscious act of an intelligent being. In Nature it is a blind, unconscious power; in man it is the foundation of being. But before entering into
It never varies; it is the same in man as in the caterpillar, for,
Let the individual die, however; the species is indestructible, for death is to the species as sleep is to the individual. The species contains the indestructible, the immutable Will of which the individual is a manifestation. It contains all that is, all that was, and all that will be.
This stage attained is, in his opinion, destined to be the last, for with it is come the possibility of the denial of the Will, through which the divine comedy will end.
Schopenhauer refused to admit that a being more intelligent than man could exist either here or on any other planet, for with enlarged intelligence he would consider life too deplorable to be supported for a single moment.
"This," Schopenhauer notes parenthetically, "explains the restless activity of the genius, for the present can rarely satisfy him, because it does not fill his thoughts. There is in him a ceaseless aspiration and desire for new and lofty things, and a longing to meet and communicate with others of similar status. The common mortal, on the other hand, filled with the hour, ends in it, and finding everywhere his like enjoys that satisfaction in daily life from which the genius is debarred."
"Happiness is but a dream, and only pain is real. I have thought so for eighty-four years, and I know of no better plan than to resign myself to the inevitable, and reflect that flies were born to be devoured by spiders, and man to be consumed by care."
The love affairs of to-day, therefore, instead of representing questions of personal joy or sorrow, are simply and solely a series of grave meditations on the existence and composition of the future generation. It is this grand preoccupation that causes the pathos and sublimity of love. It is this that makes it so difficult to lend any interest to a drama with which the question is not intermingled. It is this that makes love an every-day matter, and yet an inexhaustible topic. It is this that explains the gravity of the rôle it plays, the importance which it gives to the most trivial
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In ancient philosophy, ethics was a treatise of happiness; in modern works, it is generally a doctrine of eternal salvation; to Schopenhauer,
Truly the man who possesses no compassion is outside of humanity."
Schopenhauer reduces every human action to one, or sometimes to two, or at most three motives: the first is selfishness, which seeks its own welfare; the second is the perversity or viciousness which attacks the welfare of others; and the third is compassion, which seeks their good.
In earlier pages the world has been explained to be utterly unsatisfactory, and it has been hinted that the suicide, were he delivered of his suffering, would gladly rehabilitate himself with life; for it is the form of life that the suicide repudiates, not life itself.
The perspective, it is true, holds no Edens; in the distance there are no Utopias; but when the journey is ended and the book laid aside, the peaks and abysses to which the reader has been conducted stand steadfast in memory, and the whole panorama of deception and pain groups itself in a retrospect as sudden and clear as that which attends the last moments of the drowning man.
Maupertuis, who had vaguely stated that "nous vivons dans un monde ou rien de ce que nous apercevons ne ressemble à ce que nous apercevons." Whether Kant was acquainted
The scholar, for instance, even when utterly alone feeds most agreeably on his own thoughts, and we are most of us very well aware that he whose intelligence is limited may ceaselessly vary his festivals and amusements without ever succeeding in freeing himself from the baleful weariness of boredom.
a noble character, a capable mind, an easy disposition, and a well-organized and healthy body; and it is these gifts, he rightly insists,