Money never came into it, of course. That was one thing we never really talked about in the early days. “How much are we getting for doing it?” “What’s the deal on the record?” “What’s the split, man?” There was none of that, which was wonderful because it was just about going forward, working with people you liked, and trusting that the rewards would come. Now, having had more experience, I know that we should have done a deal. Or certainly Tony should have done a deal. The songs on the Factory sampler belonged to us, even though he’d paid for them to be recorded. No way would that happen
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