Expressing the sentiments shared by a generation of early twentieth-century American literary radicals and political reformers, the novelist and popular lecturer John Cowper Powys described his lingering romance with Friedrich Nietzsche: “I cannot see a volume of Nietzsche in any shelf without opening it, and … [I] cannot open it without feeling, just as [I] did at first, the old fatal intoxication.”1 Preferring imagery more suggestive than mere alcohol, Isadora Duncan likened her first encounter with the nineteenth-century German philosopher to the voluptuous joys of the flesh when she
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