Tolstoy has told us more about himself and his views and attitudes than any other Russian, more, almost, than any other European, writer. Nor can his art be called obscure in any normal sense: his universe has no dark corners, his stories are luminous with the light of day; he has explained them and himself, and argued about them and the methods by which they are constructed, more articulately and with greater force and sanity and lucidity than any other writer. Is he a fox or a hedgehog? What are we to say? Why is the answer so curiously difficult to find? Does he resemble Shakespeare or
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