20 Master Plots: And How to Build Them
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Read between May 17 - June 28, 2017
3%
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Steve Scott
The first time around, I was led by my characters. When I came to a fork in the road, to channel Yogi Berra, I took it - wherever the characters wanted to go. They led me out onto an uncompleted bridge, from which I could only see desert.
7%
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A reversal is an event, but recognition is the irreversible emotional change within the characters brought about by that event.
7%
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“The personages of a tale shall confine themselves to possibility and let miracles alone.”
8%
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road map,
Steve Scott
Aha! I can relate to this. I just planned a trip, beginning with Start and End, then figured how far to drive each day and added hotel stops. Next, having heard horror stories about trusting Google or GPS, I checked each turn in the directions against an online map, viewing actual "streetside" photos of any which might be problematic.
9%
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We expect events to affect the main character in such a way that they force a change in his personality. Your main character should be a different person at the end of the book than at the beginning.
10%
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Finally you realize you must stop everything and ask yourself, “Who’s in charge here?”
Steve Scott
So far, I'm still the ringmaster.
11%
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if you show a shotgun in the first act, it must go off in the third act.
12%
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when something happens in this world, it must happen for a reason.