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Deiwin Sarjas

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Undoubtedly there are tone-deaf engineers, just as there are mathematically ignorant composers. Few engineers and composers, whether deaf, ignorant, or not, can carry on a mutually rewarding conversation about the content of each other’s professional work. What I am suggesting is that they can carry on such a conversation about design, can begin to perceive the common creative activity in which they are both engaged, can begin to share their experiences of the creative, professional design process.
The Sciences of the Artificial (The MIT Press)
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