Go Tell It on the Mountain

by James Baldwin

This sound had filled John’s life, so it now seemed, from the moment he had first drawn breath. He had heard it everywhere, in prayer and in daily speech, and wherever the saints were gathered, and in the unbelieving streets. It was in his father’s anger, and in his mother’s calm insistence, and in the vehement mockery of his aunt; it had rung, so oddly, in Roy’s voice this afternoon, and when Elisha played the piano it was there; it was in the beat and jangle of Sister McCandless’s tambourine, it was in the very cadence of her testimony, and invested that testimony with a matchless, unimpeachable authority. Yes, he had heard it all his life, but it was only now that his ears were opened to this sound that came from darkness, that could only come from darkness, that yet bore such sure witness to the glory of the light. And now in his moaning, and so far from any help, he heard it in himself—it rose from his bleeding, his cracked-open heart. It was a sound of rage and weeping which filled the grave, rage and weeping from time set free, but bound now in eternity; rage that had no language, weeping with no voice—which yet spoke now, to John’s startled soul, of boundless melancholy, of the bitterest patience, and the longest night; of the deepest water, the strongest chains, the most cruel lash; of humility most wretched, the dungeon most absolute, of love’s bed defiled, and birth dishonored, and most bloody, unspeakable, sudden death. Yes, the darkness hummed with murder: the...