Gargantua and Pantagruel

by François Rabelais

put his codpiece in practice. Which codpiece, or braguette, his governesses did every day deck up and adorn with fair nosegays, curious rubies, sweet flowers, and fine silken tufts, and very pleasantly would pass their time in taking you know what between their fingers, and dandling it, till it did revive and creep up to the bulk and stiffness of a suppository, or street magdaleon, which is a hard rolled-up salve spread upon leather. Then did they burst out in laughing, when they saw it lift up its ears, as if the sport had liked them. One of them would call it her little dille, her staff of love, her quillety, her faucetin, her dandilolly. Another, her peen, her jolly kyle, her bableret, her membretoon, her quickset imp: another again, her branch of coral, her female adamant, her placket-racket, her Cyprian sceptre, her jewel for ladies. And some of the other women would give it these names,—my bunguetee, my stopple too, my bush-rusher, my gallant wimble, my pretty borer, my coney-burrow-ferret, my little piercer, my augretine, my dangling hangers, down right to it, stiff and stout, in and to, my pusher, dresser, pouting stick, my honey pipe, my pretty pillicock, linky pinky, futilletie, my lusty andouille, and crimson chitterling, my little couille bredouille, my pretty rogue, and so forth. It belongs to me, said one. It is mine, said the other. What, quoth a third, shall I have no share in it? By my faith, I will cut it then. Ha, to cut it, said the other, would hurt hi...