Gargantua and Pantagruel
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'Laissez ester Caillette le folastre, Les quatre filz Aymon vestuz de bleu, Gargantua qui a cheveux de plastre.'
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'Apre, apre, apre. Chi gioca, chi gioca —uh, uh!—A Porrione, a Porrione.—Viela, viela; date a ognuno.—Alle mantella, alle mantella.—Oltre di corsa; non vi fermate.—Voltate qui; ecco costoro; fate veli innanzi.—Viela, viela; date costi.—Chi la fa? Io—Ed io.—Dagli; ah, ah, buona fu.—Or cosi; alla mascella, al fianco. —Dagli basso; di punta, di punta.—Ah, ah, buon gioco, buon gioco.'
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Musa! canas nostrorum in testimonium Amorum, Et Gargantueas perpetuato faces, Utque homini tali resultet nobilis Eccho: Quicquid Fama canit, Pantagruelis erit.
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Jam prima Oceani pars est praeterita nostri. Imparibus restat danda secunda modis. Quam si praestiterit mentem Daemon malus addam, Cum sapiens totus prodierit Rabelais.
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Now, the first of the ocean is part of the past, our God. Being equal to the journey is to be given to the second of ways. If he has done the mind of a demon, an evil than to add, too, the wise man, when he comes forward, the whole of Rabelais.
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Alcibiades, in that dialogue of Plato's, which is entitled The Banquet,
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Or The Symposium.
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jobernol
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jobbernowl A numbskull.
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Philebo
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Philebus On hedonism.
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Gorgias;
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On rhetoric.
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Fla...
This highlight has been truncated due to consecutive passage length restrictions.
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Horace
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Messias,
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Messiahs