At the Vincent Van Gogh Museum in Amsterdam, there’s a bit of text printed on the wall of the second-floor landing. It explains Van Gogh’s ambition as a painter; that Van Gogh viewed his work as a kind of “love letter” to humanity. He hoped to be a great artist, but not simply to bring praise upon himself, his talent. (Though that would’ve been nice, dammit.) He hoped to reflect the world’s own glory, with love. An artistic impulse, but one not exclusive to artists. For instance, Coffee. For instance, Dorry. And now, Pepper. The aspiration is so rarely rewarded, or even understood, that most
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