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Understand this, too: That nervous guy who is giving an acceptance speech for Best Black and White Short Subject, that guy whom you are hooting at in the safety of your living room as he rambles tortuously on, thanking his mother and his first-grade teacher who introduced him to the wonders of film—he may seem like a jerk to you, but you are very likely watching the high point of his life.
Movies are just these strips of celluloid running through a machine. If you can find an adequate print, The Great Train Robbery is exactly what it was when Porter directed it eighty years ago.

