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helps achieve that balance. For the artist, a sketchpad or a notebook is a license to explore — it becomes entirely acceptable to stand there, for minutes on end, staring at a tree stump. Sometimes you need to scan the forest, sometimes you need to touch a single tree — if you can’t apprehend both, you’ll never entirely comprehend either. To see things is to enhance your sense of
Art & Fear: Observations on the Perils (and Rewards) of Artmaking
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