Chad Lare

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Today, indeed, you can find urban white artists — people who could not reliably tell a coyote from a german shepherd at a hundred feet — casually incorporating the figure of Coyote the Trickster into their work. A premise common to all such efforts is that power can be borrowed across space and time. It cannot. There’s a difference between meaning that is embodied and meaning that is referenced. As someone once said, no one should wear a Greek fisherman’s hat except a Greek fisherman.
Art & Fear: Observations on the Perils (and Rewards) of Artmaking
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