There seemed to be no focus, no artistic unity to the work, no real beginning, and no resolution. It was as if the sheer mass of detail overwhelmed any design Tolstoy might have tried to impose on it. Such observations were made by Russian critics, including Tolstoy’s great admirer, Ivan Turgenev, and when the book became known in translation, they were repeated by Flaubert and by Henry James, who famously described War and Peace as a “large loose baggy monster.”
