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Kindle Notes & Highlights
by
Kermit Lynch
My enthusiasm must have been contagious, because most of de Montille’s wines had been reserved by my clients by the time the first shipment arrived. When the ship was unloaded, I could not wait to pull a cork. I poured his 1972 Volnay “Champans” into a glass and raised it to my nose. Where was that fabulous Pinot Noir quality? How had a wine so expressive turned dumb? The wine was not bad, but it bore no resemblance to what I had tasted in Volnay, so I telephoned France and asked Monsieur de Montille why had he not sent me exactly what I had sampled. He claimed that he had. He said that his
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Moreover, he changed the way I tasted, judged, and selected wine. He did not instruct me. I observed him tasting, observed him matching wine to food and food to wine in restaurants, listened to his appreciations in the cellars as he searched for whatever distinguished each wine. He did not taste with a fixed idea of “the perfect wine” in mind. He valued finesse, balance, personality, and originality. If a wine had something to say, he listened. If a wine was a cliché, he had little interest. If it was different, apart from the rest, he appreciated it more.
From one producer in the Beaujolais, Richard bought a twenty-five-liter barrel of a light, tart nouveau to bottle at home. I told him that it would be impossible to market such a wine in California. “It is too light, too green.” “But that’s exactly what I like about it,” he responded. Together we bottled it, corked it, and sloshed down a happy quantity one afternoon. No, we did not discuss the pH, the oak, the body, the finish. But there was a gaiety to it; the tart fruit perfumed the palate and the brain; it seemed thirst-quenching, and yet our thirst was never so quenched that another
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