Similarly M. Taine, in the introduction to his history of English literature, has written: "Whether facts be moral or physical, it makes no matter. They always have their causes. There are causes for ambition, courage, veracity, just as there are for digestion, muscular movement, animal heat. Vice and virtue are products like vitriol and sugar." When we read such proclamations of the intellect bent on showing the existential conditions of absolutely everything, we feel—quite apart from our legitimate impatience at the somewhat ridiculous swagger of the program, in view of what the authors are
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