Call for the Dead (George Smiley, #1)

by John Le Carré

But Smiley was a sentimental man and the long exile strengthened his deep love of England. He fed hungrily on memories of Oxford; its beauty, its rational ease, and the mature slowness of its judgements. He dreamt of windswept autumn holidays at Hartland Quay, of long trudges over the Cornish cliffs, his face smooth and hot against the sea wind. This was his other secret life, and he grew to hate the bawdy intrusion of the new Germany, the stamping and shouting of uniformed students, the scarred, arrogant faces and their cheapjack answers. He resented, too, the way in which the Faculty had tampered with his subject—his beloved German literature. And there had been a night, a terrible night in the winter of 1937, when Smiley had stood at his window and watched a great bonfire in the university court: round it stood hundreds of students, their faces exultant and glistening in the dancing light. And into the pagan fire they threw books in their hundreds. He knew whose books they were: Thomas Mann, Heine, Lessing and a host of others. And Smiley, his damp hand cupped round the end of his cigarette, watching and hating, triumphed that he knew his enemy.