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Everything I owned was in there. Every piece of ugly clothing. Every bad memory. I was free of all of it.
Interesting thought here. The loss of Amy's home being equivalent to a sort of freedom taking the "ugly" parts of her life with it. The traditional imagery of home is of safety and welcoming, even though we know that's not true for many people.
“The road wants you to go to the city.” “The road? Wants . . . me?” I rubbed my head in confusion. “It wants everyone. That’s what it’s for. The road’s been here longer than any of us. There’s deep magic in there—magic even she doesn’t understand. Some people think it has a mind of its own. It wants you to go to the city, but it doesn’t like to make the trip easy.”
After a while, the bedraggled fields by the side of the road turned into huge cornfields on either side, with stalks as tall as my body. I was used to cornfields back in Kansas, obviously, but these were different: every ear was as black and shiny as oil. It looked like each one had been dipped in tar. Or like all the life had been sucked out of them and had something dead and evil pumped back in their place.
Yes, she was delicate-featured with exquisite bone structure, her perfect strawberry-blonde curls escaping from underneath a blinged-out golden crown as she smiled benevolently down at her loyal subjects. But that smile. It was—I don’t know how else to put it—kind of super-gross. It stretched unnaturally wide, spreading out maniacally all the way across her jaw from one cheekbone to the other, and it was twitching at the corners like her lips had been pinned into place.
She pulled out a small tube and held it up. “I never wear it, but it comes in handy to have around,” she said, uncapping the top and smearing it across her mouth like lipstick. As she did, her scowling lips stretched like putty into a wide, maniacal grin and stayed that way.
Indigo gave a loud, angry snort. “It’s never enough. Never enough for her, and sure as hell never enough for Dorothy. They’re digging holes from here to the capital and sucking it right up out of the land. Why do you think all of Munchkin Country’s such a dump? Oz needs magic to survive. Without it, it just dries up.”
his face was pinched and mean, with beady, flashing metal eyes and a thin, cylindrical nose that jutted out several inches from his face and ended in a nasty little point. His oversize jaw jutted out from the rest of his face in a nasty underbite, revealing a mess of little blades where his teeth should have been.
She tossed her own hair, and it changed from deep auburn to pale lavender. Then back again.
Just realized we haven’t heard from the rat for a while. Which is fine with me, but it’s one of the dangers of putting in creatures that don’t talk or serve a purpose other than to exist. The rat feels like an add on just because Dorothy had a pet.

