Every day, before starting work, I look at the woman in the deck chair: I say to myself that the result of the unnatural effort to which I subject myself, writing, must be the respiration of this reader, the operation of reading turned into a natural process, the current that brings the sentences to graze the filter of her attention, to stop for a moment before being absorbed by the circuits of her mind and disappearing, transformed into her interior ghosts, into what in her is most personal and incommunicable.
