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A half-dozen times she has stared at this painting, and each time something stirs inside her, some inarticulable sense of the pull of distant places, of the immensity of the world and her own smallness inside it.
Each morning comes along and you assume it will be similar enough to the previous one—that you will be safe, that your family will be alive, that you will be together, that life will remain mostly as it was. Then a moment arrives and everything changes.
“Aethon, you dolt, everyone knows you cannot count to five yet you believe you can count the waves of the sea. You will never fill your eyes with anything more than your own nose.”
What you already have is better than what you so desperately seek.”
Why can’t healing happen as quickly as wounding?
At fifteen he’s old enough to understand that it’s not only his state of fatherlessness or his thrift store jeans or that he has to swallow sixty milligrams of buspirone every morning to keep the roar at bay: his differences run deeper.
When Father would get excited, that boy still shone through. He had a love affair with photosynthesis. He could talk about moss for an hour. He said that plants carried wisdom humans would never be around long enough to understand.
In a child’s cursive, beneath the crossed-out lines, Aethon’s new line is handwritten in the margin, “The world as it is is enough.”