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A silver curve of the moon hovered already in the western sky.
it occurred to me that there was no difference between men, in intelligence or race, so profound as the difference between the sick and the well.
only the dead dream fought on as the afternoon slipped away, trying to touch what was no longer tangible, struggling unhappily, undespairingly, toward that lost voice across the room.
They were gone, without a word, snapped out, made accidental, isolated, like ghosts even from our pity.
arguments fade with the city lights behind. Thirty—the promise of a decade of loneliness, a thinning list of single men to know, a thinning brief-case of enthusiasm, thinning hair.
So we drove on toward death through the cooling twilight.
He was his wife’s man and not his own.
where Myrtle Wilson, her life violently extinguished, knelt in the road and mingled her
So I walked away and left him standing there in the moonlight—watching over nothing.
It was this night that he told me the strange story of his youth with Dan Cody—told it to me because ‘Jay Gatsby’ had broken up like glass against Tom’s hard malice and the long secret extravaganza was played out.
It excited him too that many men had already loved Daisy—it increased her value in his eyes. He felt their presence all about the house, pervading the air with the shades and echoes of still vibrant emotions.
The afternoon had made them tranquil for a while as if to give them a deep memory for the long parting the next day promised.
For Daisy was young and her artificial world was redolent of orchids and pleasant, cheerful snobbery and orchestras which set the rhythm of the year, summing up the sadness and suggestiveness of life in new tunes.
Through this twilight universe Daisy began to move again with the season; suddenly she was again keeping half a dozen dates a day with half a dozen men and drowsing asleep at dawn with the beads and chiffon of an evening dress tangled among dying orchids on the floor beside her bed. And all the time something within her was crying for a decision. She wanted her life shaped now, immediately—and the decision must be made by some force—of love, of money, of unquestionable practicality—that was close at hand.
He stayed there a week, walking the streets where their footsteps had clicked together through the November night and revisiting the out-of-the-way places to which they had driven in her white car. Just as Daisy’s house had always seemed to him more mysterious and gay than other houses so his idea of the city itself, even though she was gone from it, was pervaded with a melancholy beauty. He left feeling that if he had searched harder he might have found her—that he was leaving her behind.
If that was true he must have felt that he had lost the old warm world, paid a high price for living too long with a single dream. He must have looked up at an unfamiliar sky through frightening leaves and shivered as he found what a grotesque thing a rose is and how raw the sunlight was upon the scarcely created grass. A new world, material without being real, where poor ghosts, breathing dreams like air, drifted fortuitously about … like that ashen, fantastic figure gliding toward him through the amorphous trees.
He had reached an age where death no longer has the quality of ghastly surprise,
‘Let us learn to show our friendship for a man when he is alive and not after he is
dead,’
After Gatsby’s death the East was haunted for me like that, distorted beyond my eyes’ power of correction. So when the blue smoke of brittle leaves was in the air and the wind blew the wet laundry stiff on the line I decided to come back home.
They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness or whatever it was that kept them together, and let other people clean up the mess they had made….
Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter—tomorrow we will run faster, stretch out our arms farther…. And one fine morning—— So we beat on, boats against the current, borne back ceaselessly into the past.