Far from the Madding Crowd
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To find themselves utterly alone at night where company is desirable and expected makes some people fearful; but a case more trying by far to the nerves is to discover some mysterious companionship when intuition, sensation, memory, analogy, testimony, probability, induction—every kind of evidence in the logician's list—have united to persuade consciousness that it is quite in isolation.
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"You see, it is the only one I shall ever have, and I must make the most of it."
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Love, being an extremely exacting usurer (a sense of exorbitant profit, spiritually, by an exchange of hearts, being at the bottom of pure passions, as that of exorbitant profit, bodily or materially, is at the bottom of those of lower atmosphere),
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Love is a possible strength in an actual weakness. Marriage transforms a distraction into a support, the power of which should be, and happily often is, in direct proportion to the degree of imbecility it supplants.
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may have been observed that there is no regular path for getting out of love as there is for getting in. Some people look upon marriage as a short cut that way, but it has been known to fail.
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It is safer to accept any chance that offers itself, and extemporize a procedure to fit it, than to get a good plan matured, and wait for a chance of using it.
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The Young Man's Best Companion, The Farrier's Sure Guide, The Veterinary Surgeon, Paradise Lost, The Pilgrim's Progress, Robinson Crusoe, Ash's Dictionary, and Walkingame's Arithmetic, constituted his library;
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resolution to avoid an evil is seldom framed till the evil is so far advanced as to make avoidance impossible.
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Silence has sometimes a remarkable power of showing itself as the disembodied soul of feeling wandering without its carcase, and it is then more impressive than speech.
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to say a little is often to tell more than to say a great deal.
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It appears that ordinary men take wives because possession is not possible without marriage, and that ordinary women accept husbands because marriage is not possible without possession; with totally differing aims the method is the same on both sides.
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There is a loquacity that tells nothing, which was Bathsheba's; and there is a silence which says much: that was Gabriel's.
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"Bring Beaumont and Fletcher's Maid's Tragedy, and the Mourning Bride, and—let me see—Night Thoughts, and the Vanity of Human Wishes."
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She was of the stuff of which great men's mothers are made. She was indispensable to high generation, hated at tea parties, feared in shops, and loved at crises.
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Theirs was that substantial affection which arises (if any arises at all) when the two who are thrown together begin first by knowing the rougher sides of each other's character, and not the best till further on, the romance growing up in the interstices of a mass of hard prosaic reality.