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Juggernaut.
Darkness endows the small and ordinary ones among mankind with poetical power,
excrescence,
fustian
I bain't such a fool as to pretend that we who stick to the Church have the same chance as they, because we know we have not. But I hate a feller who'll change his old ancient doctrines for the sake of getting to heaven.
"Nobody can hurt a dead woman," at length said Coggan, with the precision of a machine. "All that could be done for her is done—she's beyond us: and why should a man put himself in a tearing hurry for lifeless clay that can neither feel nor see, and don't know what you do with her at all? If she'd been alive, I would have been the first to help her. If she now wanted victuals and drink, I'd pay for it, money down. But she's dead, and no speed of ours will bring her to life. The woman's past us—time spent upon her is throwed away:
in a last attempt to save Bathsheba from, at any rate, immediate anguish, he looked again, as he had looked before, at the chalk writing upon the coffin-lid. The scrawl was this simple one, "Fanny Robin and child." Gabriel took his handkerchief and carefully rubbed out the two latter words, leaving visible the inscription "Fanny Robin" only.
desultorily.
Bathsheba was lonely and miserable now; not lonelier actually than she had been before her marriage; but her loneliness then was to that of the present time as the solitude of a mountain is to the solitude of a cave.
Emptier. Something is absent now. But before, she was accustomed to being alone. There was a sense of power in it.
Fanny's temporary resting-place had been the result of a strange complication of impulses in Bathsheba's bosom. Perhaps it would be more accurately described as a determined rebellion against her prejudices, a revulsion from a lower instinct of uncharitableness, which would have withheld all sympathy from the dead woman,
Oak showed a mastery of by every turn and look he gave—that among the multitude of interests by which he was surrounded, those which affected his personal well-being were not the most absorbing and important in his eyes. Oak meditatively looked upon the horizon of circumstances without any special regard to his own standpoint in the midst.
"Would to God you would speak and tell me your secret, Fanny! … Oh, I hope, hope it is not true that there are two of you! … If I could only look in upon you for one little minute, I should know all!" A few moments passed, and she added, slowly, "And I will."
My eyes immediately skimmed over the italicized words here, and my first assumption was that "And I will" was a response from Fanny (either her ghost or Bathsheba's imagination). And it's phrased in a way that it could be a repsponse from Fanny. Perhaps she is speaking through Bathsheba. Bathsheba certainly is possessed. By lust/rage/jealousy/hurt. By an inner knowledge that she can not compete with this dead woman
"What have you to say as your reason?" she asked, her bitter voice being strangely low—quite that of another woman now. "I have to say that I have been a bad, black-hearted man," he answered. "And that this woman is your victim; and I not less than she."
Ugh. It's too familiar. Bathsheba -- though she views Fanny as her rival -- knows they are both victims of the real enemy. And how convenient that hsi revelation about his behavior comes at their expense
The hollow seemed a nursery of pestilences small and great, in the immediate neighbourhood of comfort and health, and Bathsheba arose with a tremor at the thought of having passed the night on the brink of so dismal a place.
psalter,
In the worst attacks of trouble there appears to be always a superficial film of consciousness which is left disengaged and open to the notice of trifles, and Bathsheba was faintly amused at the boy's method, till he too passed on.
"You can't come across," Bathsheba said in a whisper, which she vainly endeavoured to make loud enough to reach Liddy's ears. Liddy, not knowing this, stepped down upon the swamp, saying, as she did so, "It will bear me up, I think."
You will be okay, Bathsheba. You will get to the other side of this. Perhaps with thre gelp of good companions like Liddy and Farmer Oak. People whom you actually respect. Did you ever respect Troy?
Liddy did not sink, as Bathsheba had anticipated. She landed safely on the other side,
mawkishness,
Weatherbury tower was a somewhat early instance of the use of an ornamental parapet in parish as distinct from cathedral churches, and the gurgoyles, which are the necessary correlatives of a parapet, were exceptionally prominent—of the boldest cut that the hand could shape, and of the most original design that a human brain could conceive. There was, so to speak, that symmetry in their distortion which is less the characteristic of British than of Continental grotesques of the period.
Sanguine
Troy had a power of eluding grief by simply adjourning it. He could put off the consideration of any particular spectre till the matter had become old and softened by time. The planting of flowers on Fanny's grave had been perhaps but a species of elusion of the primary grief, and now it was as if his intention had been known and circumvented.
This very morning the illusion completed its disappearance, and, as it were, all of a sudden, Troy hated himself. The suddenness was probably more apparent than real. A coral reef which just comes short of the ocean surface is no more to the horizon than if it had never been begun, and the mere finishing stroke is what often appears to create an event which has long been potentially an accomplished thing.
reprobates'
indelible,
Her original vigorous pride of youth had sickened, and with it had declined all her anxieties about coming years, since anxiety recognizes a better and a worse alternative, and Bathsheba had made up her mind that alternatives on any noteworthy scale had ceased for her.