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iniquity,
sauvity.
She fleed at him like a cat—never such a tomboy as she is—of course I speak with closed doors?"
Henerey Fray sees Bathsheba as a tom-boy. His tone suggests the villagers are intimidated by her. Also, it's interestibg that Henerey is criticizing her masculine qualities to the effeminate Joseph Poorgrass
It is rarely that the pleasures of the imagination will compensate for the pain of sleeplessness,
hoary
This circumstance, and the generally sleepy air of the whole prospect here, together with the animated and contrasting state of the reverse façade, suggested to the imagination that on the adaptation of the building for farming purposes the vital principle of the house had turned round inside its body to face the other way. Reversals of this kind, strange deformities, tremendous paralyses, are often seen to be inflicted by trade upon edifices—either individual or in the aggregate as streets and towns—which were originally planned for pleasure alone.
Reversals-- is this indicative of Bathsheba's sudden change from reluctant romatic prospect to mistress of the farm? Pleasure --> Responsibility
the stairs themselves continually twisting round like a person trying to look over his shoulder.
Philistines
This climax of the series had been reached to-night on the aforesaid moor, and for the first time in the season its irregularities were forms without features; suggestive of anything, proclaiming nothing, and without more character than that of being the limit of something else—the lowest layer of a firmament of snow.
banns
peregrinations.
yeomen
this Saturday's début in the forum, whatever it may have been to Bathsheba as the buying and selling farmer, was unquestionably a triumph to her as the maiden.
Bathsheba, without looking within a right angle of him, was conscious of a black sheep among the flock.
Interesting to use "black sheep" as a metaphor in a book that often discusses literal sheep and shepherds... So Bathsheba has found a man who is a black sheep here (based on what? his appearance?), but she -- as a woman -- is also a black sheep in this setting and the overall profession. And perhaps the "sheep" whom Farmer (shepherd) Oak hopes to claim
recusant's
whist
"Oh, Farmer Boldwood," murmured Bathsheba, and looked at him as he outstripped them. The farmer had never turned his head once, but with eyes fixed on the most advanced point along the road, passed as unconsciously and abstractedly as if Bathsheba and her charms were thin air.
Farmer Boldwood's head was not turned by this bombshell. Are all of his eggs in the Fanny Robin basket?
perforce.
Boldwood's had begun to be a troublesome image—a species of Daniel in her kingdom who persisted in kneeling eastward when reason and common sense said that he might just as well follow suit with the rest, and afford her the official glance of admiration which cost nothing at all.
Uh oh... Attracted to indifference, are we? Crazy how it's just the thing to make a confident, magnetic, &/or self-assured woman begin to doubt herself
The vast difference between starting a train of events, and directing into a particular groove a series already started, is rarely apparent to the person confounded by the issue.