Sandra Moilanen

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Weatherbury tower was a somewhat early instance of the use of an ornamental parapet in parish as distinct from cathedral churches, and the gurgoyles, which are the necessary correlatives of a parapet, were exceptionally prominent—of the boldest cut that the hand could shape, and of the most original design that a human brain could conceive. There was, so to speak, that symmetry in their distortion which is less the characteristic of British than of Continental grotesques of the period.
Sandra Moilanen
Bathsheba and Francis Troy both being beautiful but kind of terrible people
Far from the Madding Crowd
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