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“Your God,” he customarily remarked to Mrs. Waite down the length of the breakfast table, “has seen fit to give us a glorious day.” Or, “Your God has seen fit to give us rain,” or “snow,” or “has seen fit to visit us with thunderstorms.” This ritual arose from an ill-advised remark made by Mrs. Waite when her daughter was three; small Natalie had asked her mother what God was, and Mrs. Waite had replied that God made the world, the people in it, and the weather; Mr. Waite did not tend to let such remarks be forgotten.
Natalie, fascinated, was listening to the secret voice which followed her. It was the police detective and he spoke sharply, incisively, through the gentle movement of her mother’s voice. “How,” he asked pointedly, “Miss Waite, how do you account for the gap in time between your visit to the rose garden and your discovery of the body?” “I can’t tell,” Natalie said back to him in her mind, her lips not moving, her dropped eyes concealing from her family the terror she hid also from the detective. “I refuse to say,” she told him.
I can't tell if the detective is real or if she's interrogating herself from a disassociated perspective in order to psychoanalyze herself. I think because of how she was and is being raised, emotions are not valued. So, she might've created this detective voice in her head in order to change the way she thinks and appease her family. Or is the author jumping forward in time and then back discreetly?
if you are ever to be a good writer, understand your own motives.”
“I am not a vain man,” he began slowly. “I do not hold myself in undue estimation. As a matter of fact, my own description of myself would be much harsher than yours. You do not mention my pettiness, for example, although you hint at it in your statements about”—he consulted the notebook—“the fact that I ‘substitute words for actions.’ You overlook one of my outstanding characteristics, which is a brutal honesty which frequently leads me into trouble—an honesty so sincere that, applied to myself, it gives me a picture I cannot be proud of, although you name me as a proud man. My honest picture
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He has this strict idea of who he is and what it means, he's stubborn about his own self-perception no matter what anyone else says about it. He's painting a certain narrative of himself not caring what anyone else has to say about it.
because her mother and father were bickering, transplanted herself to an archeological expedition some thousand years from now, coming unexpectedly upon this kitchen and removing layers of earth carefully from around the teakettle—“This
The fact she escapes into her mind during turmoil/conflict shows how internal she is. Her reactions, emotions, and thoughts must be internalized a lot. It's a fantastical yet isolative existence.
There was a point in Natalie, only dimly realized by herself, and probably entirely a function of her age, where obedience ended and control began; after this point was reached and passed, Natalie became a solitary functioning individual, capable of ascertaining her own believable possibilities.
“Little Natalie, never rest until you have uncovered your essential self. Remember that. Somewhere, deep inside you, hidden by all sorts of fears and worries and petty little thoughts, is a clean pure being made of radiant colors.”
“Do you pretend,” the detective said, “that you are actually the daughter of these people? That they will acknowledge you?”
“It all starts so nice,” Mrs. Waite said, twisting her face into a horrible look of disgust. “You think it’s going to be so easy. You think it’s going to be good. It starts like everything you’ve ever wanted, you think it’s so easy, everything looks so simple and good, and you know that all of a sudden you’ve found out what no one ever had sense enough to know before—that this is good and if you manage right you can do whatever you want to. You keep thinking that what you’ve got hold of is power, just because you feel right in yourself, and everybody always thinks that when they feel right in
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I can't tell if Natalie's mother is just being dramatic or truthful. But in heterosexual dynamics there are always going to be issues regarding gender because of the already pre-existing gender norms/expectations.
Anything which begins new and fresh will finally become old and silly.
Then someone from the masked circle around the new students said, “Look, we’re all allowed to ask questions, aren’t we?” “Sure,” said the leader, with obvious gratitude. “Then listen, Myrna,” said the girl happily, from behind her mask, “you a virgin?” Natalie saw the freshman blushing full-face and the upper-classmen blushing behind and above their masks, and thought, I hope they don’t ask me, and, It’s the girls with masks on their faces blushing too. Could it be, she wondered tiredly, that a mask is no protection at all?” “Certainly,” said the girl on the stool, surprised at the question,
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I think that it's interesting the way Natalie views interactions with others as some sort of test or if they're testing her. But then again she's mostly interacted with people who are friends with her father, who considers himself an intellectual, who probably has friends who consider themselves intellectual. While in this environment they're girls who are also immersed in a "typical intellectual" place; university. It's no wonder she sees those conversations as trials and triumph because she has to constantly try to prove herself to be one of the "intellectuals".
Arthur Langdon.
This is the only professor who she's named. Is this guy going to be a part of the dynamic like Natalie's parents? The dynamic being an older "intellectual" with a younger "intellectual" yet the older man asserts his intelligence over the woman. Or is this dynamic the one aformentioned but the man is cheating or interested in younger women who he can manipulate and use?
as she looked at the inside, and meant to mark the next day whether the panels outside were the same as those inside; odd, she thought, that someone standing outside could look at the door, straight ahead, seeing the white paint and the wood, and I inside looking at the door and the white paint and the wood should look straight also, and we two looking should not see each other because there is something in the way. Are two people regarding the same thing not looking at each other?
“They say you’re spooky.” Rosalind said. “That’s what they call you, Spooky, I heard them.” “Who?” Natalie said. “Who knows what I do?” “Well, I think it’s your own business,” said Rosalind critically. “I mean, everyone has the right to live the way they want, and naturally none of them has any right to call a person names just because a person wants to live their own way.” Feeling a sudden quick warmth toward Rosalind for not having watched her, Natalie said, “All I want them to do is leave me alone.” “Well, that’s what I say,” Rosalind said,
Natalie is comfortable in solitude, at least used to it. Solitude seems to be more comfortable than people, because human beings are unpredictable.
Nothing in the world exists in a perfect form,
“I mean, when you say there’s nothing perfect?” “Nothing in the world exists in a perfect form,” the professor murmured, watchfully. “Yes, I said it.” “Well,” the girl said; she stared straight at the professor; to confound a professor of philosophy midway through the first month of the first semester of your first year . . . “Well,” she repeated, “I mean—what about a vacuum? I mean, that’s perfect, isn’t it?”
“Don’t ever tell anyone,” she said. “No one thinks I’m unhappy, no one even dreams I’m unhappy, and you know once you let them know you’re unhappy then they start wondering why, and then they look at you and they think you’re getting old or something. They were all so jealous anyway. I’m still as pretty as I ever was.” She turned her head proudly on her neck, and Natalie, feeling herself more than ever thin and unformed, nodded admiringly. “You see,” Elizabeth went on, spreading her empty hands in front of her and looking at the fingers, “all the students think I’m friends with the faculty
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If she's so unhappy; leave. I think though that because this novel was published in 1951 she couldn't divorce this man without unacceptable disgrace to be placed on her.

