Tramp Quixote, visionary bum, indigent in a collapsing country. Prophet in the wilderness, sure that only an outsider could find the way through. A man of no compromises. A mean drunk. Gay, for what that was worth, like so many of the century’s best composers. In any case: Did not work and play well with others. And convinced that the salvation of music required cutting an octave into forty-three pitches.