Count Zero (Sprawl, #2)

by William Gibson

Condensation dripped steadily from the old Georgetown dome, built forty years after the ailing Federals decamped for the lower reaches of McLean. Washington was a Southern city, always had been, and you felt the tone of the Sprawl shift here if you rode the trains down the stations from Boston. The trees in the District were lush and green, and their leaves shaded the arc lights as Turner and Angela Mitchell made their way along the broken sidewalks to Dupont Circle and the station. There were drums in the circle, and someone had lit a trash fire in the giant’s marble goblet at the center. Silent figures sat beside spread blankets as they passed, the blankets arrayed with surreal assortments of merchandise: the damp-swollen cardboard covers of black plastic audio disks beside battered prosthetic limbs trailing crude nerve-jacks, a dusty glass fishbowl filled with oblong steel dog tags, rubber-banded stacks of faded postcards, cheap Indo trodes still sealed in wholesaler’s plastic, mismatched ceramic salt-and-pepper sets, a golf club with a peeling leather grip, Swiss army knives with missing blades, a dented tin wastebasket lithographed with the face of a president whose name Turner could almost remember (Carter? Grosvenor?), fuzzy holograms of the Monument . . .