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Genre, a concept which could have served as a useful distinction of various kinds of fiction, has been degraded into a disguise for mere value-judgment. The various “genres” are now mainly commercial product-labels to make life easy for lazy readers, lazy critics, and the Sales Departments of publishers.
The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain.
A chain of command is easy to describe; a network of response isn’t. To those who live by mutual empowerment, “thick” description, complex and open-ended, is normal and comprehensible, but to those whose only model is hierarchic control, such description seems a muddle, a mess, along with what it describes. Who’s in charge here? Get rid of all these petty details. How many cooks spoil a soup? Let’s get this perfectly clear now. Take me to your leader!
Always, always, the young men were ready to rush out and kill whoever the old men told them to kill, each other, women, old people, children; always there was a war to be fought in the name of Peace, Freedom, Justice, the Lord.
“I do look after Ittu, and he looks after me,” I said to her, in that passion of justice that children know, the birthright we seldom honor. “We both know what’s dangerous and we don’t do stupid things and we know our cattle and we do everything together.
She did not hate Bela ten Belen for leading the raid, killing Dua’s Daughter, stealing her and Mal and the others. Men did that, nomads as well as City men. They raided, killed people, took food, took slaves. That was the way men were. It would be as stupid to hate them for it as to love them for it.
And those who can talk, but don’t, have the great advantage over the rest of us that they never say anything stupid. This may be why we are convinced that if they spoke they would have something wise to say.
Only when Professor Duby reminded us that penguins are birds, that they do not swim but fly in water, only then could the therolinguist begin to approach the sea literature of the penguin with understanding; only then could the miles of recordings already on film be restudied and, finally, appreciated. But the difficulty of translation is still with us.
I was hunting mushrooms, not for sport, as I have read ladies and gentlemen do, but in earnest. To hunt without need is the privilege, they say, of noblemen. I should say that it is one of the acts that makes a man a nobleman, that constitutes privilege itself. To hunt because one is hungry is the lot of the commoner. All it generally makes of him is a poacher. I was poaching mushrooms, then, in the King’s Forest.
As the castle begins to stir, the petals to fall, the little bee to move and buzz on the clover blossom, she will look up at him through the mists and tag-ends of dream, a hundred years of dreams; and I wonder if, for a moment, she will think, “Is that the face I dreamed of seeing?” But by then I will be out by the midden heap, sleeping sounder than they ever did.
Even if they are rather ashamed of having such a crazy grandmother, they may enjoy sharing in the secret. But they must not let Mr. Amundsen know! He would be terribly embarrassed and disappointed. There is no need for him or anyone else outside the family to know. We left no footprints, even.

