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If humor were to be a literary device, then it is one that, because it is so wonderfully human, can make us better see ourselves.
to call him humble was to make rudeness normal. Besides, humility had always seemed to him a specious thing, invented for the comfort of others; you were praised for humility by people because you did not make them feel any more lacking than they already did. It was honesty that he valued; he had always wished himself to be truly honest, and always feared that he was not.
She rested her head against his and felt, for the first time, what she would often feel with him: a self-affection. He made her like herself. With him, she was at ease; her skin felt as though it was her right size.
Ifemelu stared. Aunty Uju, in her big pink house with the wide satellite dish blooming from its roof, her generator brimming with diesel, her freezer stocked with meat, and she did not have money in her bank account.
Only then did Aunty Uju begin to sob again. “I have nothing. Everything is in his name.
There it was again, the strange naïveté with which Aunty Uju had covered herself like a blanket. Sometimes, while having a conversation, it would occur to Ifemelu that Aunty Uju had deliberately left behind something of herself, something essential, in a distant and forgotten place. Obinze said it was the exaggerated gratitude that came with immigrant insecurity.
Nobody in Kinshasa had panic attacks. It was not even that it was called by another name, it was simply not called at all. Did things begin to exist only when they were named?
There was something in him, lighter than ego but darker than insecurity, that needed constant buffing, polishing, waxing.
On an unremarkable day in early spring—the day was not bronzed with special light, nothing of any significance happened, and it was perhaps merely that time, as it often does, had transfigured her doubts—she looked in the mirror, sank her fingers into her hair, dense and spongy and glorious, and could not imagine it any other way. That simply, she fell in love with her hair.
Alexa, and the other guests, and perhaps even Georgina, all understood the fleeing from war, from the kind of poverty that crushed human souls, but they would not understand the need to escape from the oppressive lethargy of choicelessness. They would not understand why people like him, who were raised well fed and watered but mired in dissatisfaction, conditioned from birth to look towards somewhere else, eternally convinced that real lives happened in that somewhere else, were now resolved to do dangerous things, illegal things, so as to leave, none of them starving, or raped, or from burned
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I never thought that she would die until she died. Does this make sense?