But this was the snow of her childhood. Joyful, playful, bright and clean. The more the merrier. It was a toy. It covered the fieldstone homes and clapboard homes and rose brick homes that ringed the village green. It covered the bistro and the bookstore, the boulangerie and the general store. It seemed to Constance that an alchemist was at work, and Three Pines was the result. Conjured from thin air and deposited in this valley. Or perhaps, like the snow, the tiny village had fallen from the sky, to provide a soft landing for those who’d also fallen.
How well I remember the snow of my youth, in the Laurentiens of Quebec. Exactly as Constance has described. They’re becoming rarer now, so I wanted to capture not just the event, but the feeling. Such peace. Everything white, and clean, all sounds muffled. People sometimes ask why I live in a climate that can be so harsh. Besides the obvious answer that it is home, I also love four distinct seasons. And very few seasons are as distinct as winter. As beautiful. And, as brutal.
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