Peter the Great

by Robert K. Massie

After Peter, a succession of empresses and emperors would transform the early settlement of logs and mud into a dazzling city, its architecture more European than Russian, its culture and thought a blend of Russia and the West. A long line of majestic palaces and public buildings, yellow, light blue, pale green, and red, would rise along the three-mile granite quay which fronted the south bank of the Neva. With its merging of wind and water and cloud, its 150 arching bridges linking the nineteen islands, its golden spires and domes, its granite columns and marble obelisks, St. Petersburg would be called the Babylon of the Snows and the Venice of the North. It would become a fountainhead of Russian literature, music and art, the home of Pushkin, Gogol and Dostoevsky, of Borodin, Mussorgsky, and Rimsky-Korsakov, of Petipa, Diaghilev, Pavlova and Nijinsky. For two centuries, the city would also be the stage on which the political destinies of Russia were enacted as Russia’s sovereigns struggled to rule the empire from the city Peter had created. And in this city was played the final act of the drama in which Peter’s dynasty was overthrown. Even the name of the city would change as the new regime, seeking to honor its founder, decided to give Lenin “the best we had.” The new name, however, still sticks in the throats of many of the city’s citizens. To them, it remains simply “Peter.”