Aaron Miller

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A. O. Scott, who reviewed it for The New York Times, was less infatuated. It was a “frustrating movie,” he wrote, “full of heart and devoid of life; crudely manipulative when it tries hardest to be subtle; and profoundly complacent in spite of its intention to unsettle and disturb.”
Going Clear: Scientology, Hollywood, and the Prison of Belief
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