Bill Berg

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The current danger was not from total immersion but from relentless fragmentation, not from watching one video to death but from skipping among hundreds. Americans were now not passively but frenetically entertained, and the warning shot turned out to be not Wallace as a child, glued to the four stations of 1960s Urbana, but Wallace in Bloomington, clicking among seventy-five channels of satellite TV, unable to decide which show to watch lest he miss a better one. Instinctively, Wallace was wary of the emerging technology.
Every Love Story Is a Ghost Story: A Life of David Foster Wallace
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