Middlemarch (Grapevine Press)

by George Eliot

“I don’t see how a man is to be good for much unless he has some one woman to love him dearly.”

But Rosamond had registered every look and word, and estimated them as the opening incidents of a preconceived romance—incidents which gather value from the foreseen development and climax.

but very little achievement is required in order to pity another man’s shortcomings.

They were obliged to look at each other in speaking, and somehow the looking could not be carried through as the matter of course which it really was. Lydgate began to feel this sort of consciousness unpleasant and one day looked down, or anywhere, like an ill-worked puppet. But this turned out badly: the next day, Rosamond looked down, and the consequence was that when their eyes met again, both were more conscious than before.

this cry from soul to soul, without other consciousness than their moving with kindred natures in the same embroiled medium, the same troublous fitfully illuminated life.

Young love-making—that gossamer web! Even the points it clings to—the things whence its subtle interlacings are swung—are scarcely perceptible: momentary touches of fingertips, meetings of rays from blue and dark orbs, unfinished phrases, lightest changes of cheek and lip, faintest tremors. The web itself is made of spontaneous beliefs and indefinable joys, yearnings of one life towards another, visions of completeness, indefinite trust.

An unmistakable delight shone forth from the blue eyes that met his, and the radiance seemed to light up all his future with mild sunshine. Ideal happiness (of the kind known in the Arabian Nights, in which you are invited to step from the labor and discord of the street into a paradise where everything is given to you and nothing claimed) seemed to be an affair of a few weeks’ waiting, more or less.

But her soul thirsted to see him. How could it be otherwise? If a princess in the days of enchantment had seen a four-footed creature from among those which live in herds come to her once and again with a human gaze which rested upon her with choice and beseeching, what would she think of in her journeying, what would she look for when the herds passed her? Surely for the gaze which had found her, and which she would know again. Life would be no better than candle-light tinsel and daylight rubbish if our spirits were not touched by what has been, to issues of longing and constancy.

Every leaf was at rest in the sunshine, the familiar scene was changeless, and seemed to represent the prospect of her life, full of motiveless ease—motiveless, if her own energy could not seek out reasons for ardent action.

It had seemed to him as if they were like two creatures slowly turning to marble in each other’s presence, while their hearts were conscious and their eyes were yearning.

If youth is the season of hope, it is often so only in the sense that our elders are hopeful about us; for no age is so apt as youth to think its emotions, partings, and resolves are the last of their kind. Each crisis seems final, simply because it is new.

Her finely touched spirit had still its fine issues, though they were not widely visible. Her full nature, like that river of which Cyrus broke the strength, spent itself in channels which had no great name on the earth. But the effect of her being on those around her was incalculably diffusive: for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.