Forge of Darkness (The Kharkanas Trilogy #1)

by Steven Erikson

Conviction is a fist of stone at the heart of all things. Its form is shaped by sure hands, the detritus quickly swept from view. It is built to withstand, built to defy challenge, and when cornered it fights without honour. There is nothing more terrible than conviction.

As a people, the Jaghut rarely had anything to say to each other; they seemed perversely divisive and indifferent to such concepts as society or community. But this rejection was a conscious one; they had once dwelt in a city, after all. They had once built an edifice to civilization unequalled anywhere in all the realms, only to then conclude that it was all some kind of mistake, a misapprehension of purpose, or, as Haut described it, a belated recognition of economic suicide. The world was not infinite, and yet a population could aspire to become so; it could (and would) expand well beyond its own limits of sustainability, and would continue to do so until it collapsed. There was, he said, nothing so deadly as success.

There had been changes to that House. Upon the blessing of Nimander, for his service to Mother Dark, all land holdings had been relinquished to Mother Dark, and all those Tiste born to the bloodline, and their attendant staff, warriors, mendicants and scholars, now served her, taking the name of Andii, Children of Night.

‘Was I not clear enough in my point? Do not let the title of scholar, or poet, or lord, intimidate you overmuch. More importantly, do not delude yourself into imagining that such men and women are loftier, or somehow cleverer or purer of integrity or ideal than you or any other commoner. We live in a world of facades, but the grins behind them are all equally wretched.’

When she swung round to return to her horse, she looked up and saw, whipping hard in the breeze, the Legion’s banner, high above the gatehouse. It was done. Urusander’s Legion had returned to Kurald Galain. Against the bright blue, cloudless sky, the banner was like a golden blade, torn from the sun itself. She squinted at it. Painters called that colour liossan.

‘I fail when you turn away. I fail when you walk past. I fail when you shout at me about the beautiful things of the world, and why didn’t I paint those? I fail when you cease to care, and when you cease to care, we all fail. I fail, then, in order to welcome you to what we share. ‘This face? This failure? It is recognition.’

Every artist was haunted by lies. Every artist fought to find truths. Every artist failed. Some turned back, embracing those comforting lies. Others took their own lives in despair. Still others drank themselves into the barrow, or poisoned everyone who drew near enough to touch, to wound. Some simply gave up, and wasted away in obscurity. A few discovered their own mediocrity, and this was the cruellest discovery of all. None found their way to the truths.

‘I have, but in the taking of life I appease no god’s command. The crime is mine and upon no other shoulders do I set it. If I did – if we all did – then no god could withstand the burden of those crimes. But more than that: we have not the right.’

Dragons emerged from the emanation, wings outstretched, their tails scything the air in their wake. One after another, Eleint were rushing out to lift on the air, like birds freed from a cage. Faintly, through the howling wind, came their piercing cries.

And the Azathanai answered, ‘There will be peace.’

‘And Gothos said nothing more?’ Arathan shook his head. But when I found him again, seated in his chair, I saw that he wept. Children come easy to tears. But the tears of an old man are different. They can break a child’s world like no other thing can. And this morning, I am a child again. ‘No,’ he replied. ‘Nothing.’