In America the work has been done with so coarse a hand that nothing is shown in the picture but the broad, plain, unspeaking outline of the face. As you look from the represented to the representation you cannot but acknowledge the likeness;—but there is in that portrait more of the body than of the mind. The true portrait should represent more than the body. With us, hitherto, there have been snatches of the countenance of the nation which have been inimitable,—a turn of the eye here and a curl of the lip there, which have seemed to denote a power almost divine. There have been marvels on
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