Catherine the Great: Portrait of a Woman

by Robert K. Massie

His costumed make-believe was played against a backdrop of blood and terror. Pugachev’s imperial decrees, proclaiming that the nobility must be killed, unleashed a frenzy of hatred. Peasants killed landlords, their families, and their hated overseers. Serfs who had always been considered resigned, submissive to God, the tsar, and the master, now flung themselves into orgies of cruelty. Noblemen were dragged from their hiding places, flayed, burned alive, hacked to pieces, or hanged from trees. Children were mutilated and slaughtered in front of their parents. Wives were spared only long enough to be raped in front of their husbands; then they had their throats cut or were thrown into carts and carried off as prizes. Before long, Pugachev’s camp was filled with captured widows and daughters, who were distributed as booty among the rebels. Villagers who persisted in recognizing “the usurper, Catherine,” were hanged in rows; nearby ravines were filled with bodies. Desperate townspeople, not knowing what their interrogators wished to hear, gave stock answers when asked whom they considered their lawful sovereign: “Whomever you represent,” they replied.