DiAnn

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know what the point is or where the story is going.    • We know what the protagonist’s goal is, but have no clue what inner issue it forces him to deal with, so everything feels superficial and rather dull.    • We know who the protagonist is and what both her goal and her issue are, but suddenly she gets what she wants, arbitrarily changes her mind, or gets hit by a bus, and now someone else seems to be the main character.    • We’re aware of the protagonist’s goal, but what happens doesn’t seem to affect him or whether he achieves it.    • The things that happen don’t affect the protagonist ...more
Wired for Story: The Writer's Guide to Using Brain Science to Hook Readers from the Very First Sentence
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