J.D.

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What the protagonist believes is true versus what is actually true    • What the protagonist wants versus what the protagonist actually has    • What the protagonist wants versus what’s expected of her    • The protagonist versus herself    • The protagonist’s inner goal versus the protagonist’s external goal    • The protagonist’s fear versus the protagonist’s goal (external, internal, or both)    • The protagonist versus the antagonist    • The antagonist versus mercy (or the appearance thereof)
Wired for Story: The Writer's Guide to Using Brain Science to Hook Readers from the Very First Sentence
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