Mason & Dixon

by Thomas Pynchon

In Johanna’s intrigue to bring together Mason and her senior slave, however, ’tis the Slavery, not any form of Desire, that is of the essence. Dixon, out of these particular meshes, can see it,— Mason cannot. Indifferent to Visibility, wrapt in the melancholy Winds that choir all night long, persists an Obsession or Siege by something much older than anyone here, an injustice that will not cancel out. Men of Reason will define a Ghost as nothing more otherworldly than a wrong unrighted, which like an uneasy spirit cannot move on,— needing help we cannot usually give,— nor always find the people it needs to see,— or who need to see it. But here is a Collective Ghost of more than household Scale,— the Wrongs committed Daily against the Slaves, petty and grave ones alike, going unrecorded, charm’d invisible to history, invisible yet possessing Mass, and Velocity, able not only to rattle Chains but to break them as well. The precariousness to Life here, the need to keep the Ghost propitiated, Day to Day, via the Company’s merciless Priesthoods and many-Volum’d Codes, brings all but the hardiest souls sooner or later to consider the Primary Questions more or less undiluted. Slaves here commit suicide at a frightening Rate,— but so do the Whites, for no reason, or for a Reason ubiquitous and unaddress’d, which may bear Acquaintance but a Moment at a Time. Mason, as he comes to recognize the sorrowful Nakedness of the Arrangements here, grows morose, whilst Dixon makes a point of...

One of Pynchon's best prose passages.