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It is a funny story, I think, funny the way crows are funny birds, more knowing than they let on. The story pretends to be about names but it’s actually a story about time, how time flattens everything. Family, duty, whatever. Into dirt. There’s something comforting about that, something vast and, yes, inescapable. Like bright ink spilling over everyone at once.
Except when Sang asked me to show her a painting, I had one. When she’d asked to see the paintings in my apartment, I had dozens. I’d worked my whole life to acquire the technical, the emotional skills to make those paintings. I’d chopped tomatoes and peeled half-eaten onion rings off plastic trays for thousands of hours. I’d painted in grief, weeping and painting, painting and weeping. There were probably weeks, whole months when I did not smile even once. I lived in a studio so small I could smell my neighbor’s farts. I spent every penny I had on canvas, brushes, paints. I killed myself. I
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